Designed by Alex Etewut, Riley Wow is a display sans font family. This typeface has three styles and was published by Etewut.
Riley Wow typeface is rounded sans serif. It includes 3 font styles that can be used together to call glowing effect. The typeface supports all European languages based on Latin alphabet.
Designed by Alessandro Butti, Hans van Maanen and Patrick Griffin, Normandia is a display serif font family. This typeface has three styles and was published by Canada Type.
Designed over three years after the second World War, and published in 1949 by the Nebiolo foundry, Normandia was Alessandro Butti’s take on the fat face. As it usually was with Butti’s designs, this face effectively injected a catchy yet expertly calculated calligraphic spin into its source of inspiration — which was the essentially geometric/deco, thicker model of Bodoni’s very popular aesthetic.
The metal Normandia saw some widespread use for a handful of years after its publication, not least because of the multitude of sizes in which it was available. It stepped out of the limelight by the mid-1950s, due to a combination of the popularity of cold type and Nebiolo’s refusal to retool its faces for new technologies. It was copied by a few small film typesetting outfits on both sides of the Atlantic, but never really found its way back to the mainstream. By the time computer type became the norm, Normandia was pretty much relegated to a type historian’s collection of anecdotes.
This digital update of the classic series revives and refines the three original metal designs (Tonda/Regular, Corsiva/Italic, and Contornata/Outline) and expands the character set to more than 600 glyphs per font, including small caps, six types of figures, fractions and nut fractions, a full set of f-ligatures, some stylistic alternates, and other fine typography niceties.
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| Designed by Olcar Alcaide, Rufolo is a serif font family. This typeface has eight styles and was published by Eurotypo. |
Rufolo is a family of fonts that can be considered both aesthetic and utilitarian. It has an apparent serif, barely hinted at, whose clear past reference is a beautiful epigraphic script on the marble plate placed at the southern entrance of the Roman amphitheatre, in Pompeii.
Perhaps its origin dates back to Ugarit’s cuneiform writing (as Morrison suggests as the origin of the serif in “Politics and Scripts”) whose characteristic triangular-shaped incision footprint produces a powerful trait that not only gives character to the writing but also facilitates its support and visual compensation of sizes with neighboring signs.
Other clear inspirational references have been Robert Hunter Middleton’s Stellar (1929); Albertus (1932) by William A. Dwiggins; Optima (1952) by Hermann Zapf; And more recently RRollie (2016) by our foundry.
Rufolo collects the attractive characteristic of the stroke endings but the proportions of its structure becomes much more regular, the capitals are in line with a constant square module, while the above references retain the proportions of the Roman Trajan.
Some endings strokes have slightly baroque reminiscence with the intention of giving it greater plasticity and aesthetic enrichment, but absolutely controlled, taking special care of the aspects of readability and expressive neutrality.
Rufolo comes in four weight: Light, Regular, Bold and Black, accompanied by its corresponding Italic versions.
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| Victorian Alphabets Three is a historical font published by Intellecta Design. |
Victorian Alphabets Three is part of a increasing family of complete victorian style alphabets, researched and developed upon a comprehensive number of vintage books, magazines and catalogues from XIX century.
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| Download Victorian Alphabets Three Fonts Family From Intellecta Design |
Josef Wein Moderne Blackletter is a blackletter font published by Intellecta Design.
Josef Wein Moderne Blackletter is inspired in the rare work of Josef Heinz, who publish, in 1900 (Wien, Leipzig), a small catalog with gothic and art nouveau inspiration : “Moderne Schriften / herausgegeben und verlegt von Josef Heim”, or, in the french title : Alphabetes Modernes.
Soon, other fonts in that collection… Enjoy it
Designed by Jeff Levine, Fancy Show Card JNL is an art nouveau and retro font family. This typeface has two styles and was published by Jeff Levine Fonts.
A playful, casual take on round nib pen lettering was spotted amongst some online scans from an old lettering book. The free-form and stylized shapes of the letters and numbers are reminiscent of old-time show cards, movie titles and signage in vogue around the early 1900s through the 1920s.
Fancy Show Card JNL is available in both regular and oblique versions.
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| Designed by Jeff Levine, Euro Stencil JNL is a stencil font family. This typeface has two styles and was published by Jeff Levine Fonts. |
An online photo gallery showcased a number of vintage and unique signs around Europe – mostly from Germany.
One particular sign (“1818-Hoofdkant Spaarbank-1921”) was formed in metal and with stencil letters of a distinctive 1970s feel. This served as the model for Euro Stencil JNL, which is available in both regular and oblique versions.
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| Download Euro Stencil JNL Fonts Family From Jeff Levine Fonts |
Designed by Teo Tuominen, Erik Bertell and Emil Bertell, Imagist is a display serif font family. This typeface has twelve styles and was pu...
